Weird Wide Web

Today is " Weird Wide Web Day " here @ ..Spotlight...

It's the second week of links, pics, vids & weird shit in my
" Weird & Wonderful Web " series.

Last Monday's theme was DMT and today's theme is David Lynch.



His web site is here.


David Lynch Speaks Out About 9/11 Truth :



Dutch TV Interview With David Lynch :





The David Lynch Foundation (Link)



“In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence—bliss—the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.” These words from the great educator and scientist of consciousness, Maharishi Mahesh Yogi, simply and beautifully describe the urgent need in education today.


Senses Of Cinema / David Lynch (Link)



In 1988 David Lynch painted "Shadow of a Twisted Hand Across My House" and in 1990 "Suddenly My House Became a Tree of Sores". They are simple childlike images painted over a dark background, reflecting the darkness and fear a child can experience within their home. When asked about the recurring theme of the house in his paintings and films, Lynch replied that rather than being concerned with global issues, he is more interested in what happens in the surrounding neighbourhood. He portrays houses so threateningly because "the home is a place where things can go wrong". (1) Lynch uses surreal, non-traditional narrative, and symbolism, to portray communities that represent a dysfunctional society at large.



The Iconic Eraser Head



Full Movie : Eraser Head





David Lynch: Consciousness, Creativity and the Brain - 109 min - Nov 6, 2005














24 lies A Second : David Lynch Folds Space & Time (Link)




There is a sense in which all of David Lynch’s films are a kind of science fiction. But Dune is the only one of his films that is expressly in that genre, and he uses it as a kind of manifesto of his own approach to film making, as well as to set the stage for the space-folding that follows.

To put it another way, Dune’s “explanation” of travel without movement, of the folding of space, is a sly announcement of not only the vision but the technique that David Lynch brings to the screenwriter’s and film director’s art.

One cannot fold the space between two points, causing them to coincide, unless one begins by properly assuring and establishing those two points. It’s no coincidence that Lynch’s films are defined by their sense of place: Eraserhead’s post-industrial wasteland (inspired by Lynchs's memories of Philadelphia, and pointing toward his recurrent use of images of factories), the Industrial Revolution London of The Elephant Man (whose Victoriana folds nicely into the costumes and design of Dune), the Southeastern and Northwestern lumber towns of Blue Velvet and Twin Peaks, the corrosive, decaying Hollywood of Mulholland Dr. The Dream Dwarf who anomalously counterpoints the otherwise well-defined spatial environment of Twin Peaks is identified in the cast credits as “the man from another place”—not from another time or from a dream, as one would more likely have expected.





























A Conversation With David Lynch :




A Funny Interview With David Lynch :








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